The success of the 2025 film Obsession is frequently attributed to a combination of strong creative vision, effective narrative structure, and strategic production decisions. The directors and producers are credited with the following accomplishments: Commitment to Vision: Director Curry Barker maintained a consistent and confident narrative vision. Notably, he...

Managing risk while controlling overhead is a delicate balance in film and television production. Insurance premiums typically range between 1% and 3% of a production’s total budget, but smart structuring can drastically reduce premiums without sacrificing coverage. Here are 10 actionable strategies to help lower insurance...

For decades, the standard playbook for film and television production insurance was predictable. Underwriters looked at physical risks: What happens if a lead actor breaks an ankle? What if a camera crane topples into a lake? What if a freak storm destroys a multi-million-dollar outdoor...

By Chiquita Banks, Esq - BankableBites, 4/14/26 (reposted with permission) For years, the U.S. has watched its own film, and TV productions pack their bags, grab their passports, and head abroad. Canada, the United Kingdom, Australia, New Zealand, and South Africa are winning the global production...

Independent filmmakers and boutique production houses often find that large national insurance brokerages lack the personal touch required for smaller projects. For these creators, the advantage of partnering with a specialized brokerage like Barrow Group lies in receiving a tailored policy rather than a "cookie-cutter"...

In 2026, production insurance isn’t just something you “get” at the end. It’s now a real-world constraint that affects how you plan the shoot, pick locations, hire vendors, build the schedule, and even finance the project. A lot of the market never went back to...

Georgia has long been a major player in film, television, and entertainment—largely driven by its strong production tax credits. After a stretch without a dedicated post-production credit, the Georgia legislature has brought one back, this time with updated requirements and eligibility thresholds that reflect how...

After spending days or weeks filming your production, the last thing you want to deal with is the loss or damage of your work or equipment. The following are a few tips for preventing the loss of your equipment: If you cannot see the equipment...

Equipment damage, loss, or theft is one of the most persistent and costly risks for A/V rental houses. These incidents occur frequently, especially during offsite events where gear is constantly moved, set up, and handled by multiple parties. The financial stakes are high: a single piece...