The success of the 2025 film Obsession is frequently attributed to a combination of strong creative vision, effective narrative structure, and strategic production decisions. The directors and producers are credited with the following accomplishments: Commitment to Vision: Director Curry Barker maintained a consistent and confident narrative vision. Notably, he...
Managing risk while controlling overhead is a delicate balance in film and television production. Insurance premiums typically range between 1% and 3% of a production’s total budget, but smart structuring can drastically reduce premiums without sacrificing coverage. Here are 10 actionable strategies to help lower insurance...
Why Equipment Handed Over Voluntarily Can Result in a Denied Claim Picture this nightmare: A client checks out $150,000 worth of premium anamorphic lenses and camera equipment. Their paperwork is spotless. Their Certificate of Insurance (COI) is valid. Three days later, the return deadline passes. The...
For decades, the standard playbook for film and television production insurance was predictable. Underwriters looked at physical risks: What happens if a lead actor breaks an ankle? What if a camera crane topples into a lake? What if a freak storm destroys a multi-million-dollar outdoor...
By Chiquita Banks, Esq - BankableBites, 4/14/26 (reposted with permission) For years, the U.S. has watched its own film, and TV productions pack their bags, grab their passports, and head abroad. Canada, the United Kingdom, Australia, New Zealand, and South Africa are winning the global production...
Independent filmmakers and boutique production houses often find that large national insurance brokerages lack the personal touch required for smaller projects. For these creators, the advantage of partnering with a specialized brokerage like Barrow Group lies in receiving a tailored policy rather than a "cookie-cutter"...
In 2026, production insurance isn’t just something you “get” at the end. It’s now a real-world constraint that affects how you plan the shoot, pick locations, hire vendors, build the schedule, and even finance the project. A lot of the market never went back to...
Georgia has long been a major player in film, television, and entertainment—largely driven by its strong production tax credits. After a stretch without a dedicated post-production credit, the Georgia legislature has brought one back, this time with updated requirements and eligibility thresholds that reflect how...
Independent producers are legendary multitaskers—usually balancing a tight budget, impossible deadlines, three emergencies, and one lukewarm coffee. In that whirlwind, insurance often feels like a chore to “just handle later.” Unfortunately, “later” is when productions get burned. That’s where an experienced film and television insurance specialist...
You get an email that looks like it’s from someone you know. It seems to be from one of your company’s vendors and asks that you click on a link to update your business account. Should you click? Maybe it looks like it’s from your boss...